Tuesday, January 29, 2008
new york's sustainable food ideas
it's an organization in new york that works to make more community gardens, and wants new yorkers to grow more of their own food. i think they have some good ideas (like donating the food produced by a community garden to food banks, so the city is feeding it's own hungry people and working towards self-sustainability).
http://www.justfood.org/jf/index.html
another great mark bittman article (with michael pollen!)
Rethinking the Meat-Guzzler
Multimedia
A SEA change in the consumption of a resource that Americans take for granted may be in store — something cheap, plentiful, widely enjoyed and a part of daily life. And it isn’t oil.
It’s meat.
The two commodities share a great deal: Like oil, meat is subsidized by the federal government. Like oil, meat is subject to accelerating demand as nations become wealthier, and this, in turn, sends prices higher. Finally — like oil — meat is something people are encouraged to consume less of, as the toll exacted by industrial production increases, and becomes increasingly visible.
Global demand for meat has multiplied in recent years, encouraged by growing affluence and nourished by the proliferation of huge, confined animal feeding operations. These assembly-line meat factories consume enormous amounts of energy, pollute water supplies, generate significant greenhouse gases and require ever-increasing amounts of corn, soy and other grains, a dependency that has led to the destruction of vast swaths of the world’s tropical rain forests.
Just this week, the president of Brazil announced emergency measures to halt the burning and cutting of the country’s rain forests for crop and grazing land. In the last five months alone, the government says, 1,250 square miles were lost.
The world’s total meat supply was 71 million tons in 1961. In 2007, it was estimated to be 284 million tons. Per capita consumption has more than doubled over that period. (In the developing world, it rose twice as fast, doubling in the last 20 years.) World meat consumption is expected to double again by 2050, which one expert, Henning Steinfeld of the United Nations, says is resulting in a “relentless growth in livestock production.”
Americans eat about the same amount of meat as we have for some time, about eight ounces a day, roughly twice the global average. At about 5 percent of the world’s population, we “process” (that is, grow and kill) nearly 10 billion animals a year, more than 15 percent of the world’s total.
Growing meat (it’s hard to use the word “raising” when applied to animals in factory farms) uses so many resources that it’s a challenge to enumerate them all. But consider: an estimated 30 percent of the earth’s ice-free land is directly or indirectly involved in livestock production, according to the United Nation’s Food and Agriculture Organization, which also estimates that livestock production generates nearly a fifth of the world’s greenhouse gases — more than transportation.
To put the energy-using demand of meat production into easy-to-understand terms, Gidon Eshel, a geophysicist at the Bard Center, and Pamela A. Martin, an assistant professor of geophysics at the University of Chicago, calculated that if Americans were to reduce meat consumption by just 20 percent it would be as if we all switched from a standard sedan — a Camry, say — to the ultra-efficient Prius. Similarly, a study last year by the National Institute of Livestock and Grassland Science in Japan estimated that 2.2 pounds of beef is responsible for the equivalent amount of carbon dioxide emitted by the average European car every 155 miles, and burns enough energy to light a 100-watt bulb for nearly 20 days.
Grain, meat and even energy are roped together in a way that could have dire results. More meat means a corresponding increase in demand for feed, especially corn and soy, which some experts say will contribute to higher prices.
This will be inconvenient for citizens of wealthier nations, but it could have tragic consequences for those of poorer ones, especially if higher prices for feed divert production away from food crops. The demand for ethanol is already pushing up prices, and explains, in part, the 40 percent rise last year in the food price index calculated by the United Nations’ Food and Agricultural Organization.
Though some 800 million people on the planet now suffer from hunger or malnutrition, the majority of corn and soy grown in the world feeds cattle, pigs and chickens. This despite the inherent inefficiencies: about two to five times more grain is required to produce the same amount of calories through livestock as through direct grain consumption, according to Rosamond Naylor, an associate professor of economics at Stanford University. It is as much as 10 times more in the case of grain-fed beef in the United States.
The environmental impact of growing so much grain for animal feed is profound. Agriculture in the United States — much of which now serves the demand for meat — contributes to nearly three-quarters of all water-quality problems in the nation’s rivers and streams, according to the Environmental Protection Agency.
Because the stomachs of cattle are meant to digest grass, not grain, cattle raised industrially thrive only in the sense that they gain weight quickly. This diet made it possible to remove cattle from their natural environment and encourage the efficiency of mass confinement and slaughter. But it causes enough health problems that administration of antibiotics is routine, so much so that it can result in antibiotic-resistant bacteria that threaten the usefulness of medicines that treat people.
Those grain-fed animals, in turn, are contributing to health problems among the world’s wealthier citizens — heart disease, some types of cancer, diabetes. The argument that meat provides useful protein makes sense, if the quantities are small. But the “you gotta eat meat” claim collapses at American levels. Even if the amount of meat we eat weren’t harmful, it’s way more than enough.
Americans are downing close to 200 pounds of meat, poultry and fish per capita per year (dairy and eggs are separate, and hardly insignificant), an increase of 50 pounds per person from 50 years ago. We each consume something like 110 grams of protein a day, about twice the federal government’s recommended allowance; of that, about 75 grams come from animal protein. (The recommended level is itself considered by many dietary experts to be higher than it needs to be.) It’s likely that most of us would do just fine on around 30 grams of protein a day, virtually all of it from plant sources .
What can be done? There’s no simple answer. Better waste management, for one. Eliminating subsidies would also help; the United Nations estimates that they account for 31 percent of global farm income. Improved farming practices would help, too. Mark W. Rosegrant, director of environment and production technology at the nonprofit International Food Policy Research Institute, says, “There should be investment in livestock breeding and management, to reduce the footprint needed to produce any given level of meat.”
Then there’s technology. Israel and Korea are among the countries experimenting with using animal waste to generate electricity. Some of the biggest hog operations in the United States are working, with some success, to turn manure into fuel.
Longer term, it no longer seems lunacy to believe in the possibility of “meat without feet” — meat produced in vitro, by growing animal cells in a super-rich nutrient environment before being further manipulated into burgers and steaks.
Another suggestion is a return to grazing beef, a very real alternative as long as you accept the psychologically difficult and politically unpopular notion of eating less of it. That’s because grazing could never produce as many cattle as feedlots do. Still, said Michael Pollan, author of the recent book “In Defense of Food,” “In places where you can’t grow grain, fattening cows on grass is always going to make more sense.”
But pigs and chickens, which convert grain to meat far more efficiently than beef, are increasingly the meats of choice for producers, accounting for 70 percent of total meat production, with industrialized systems producing half that pork and three-quarters of the chicken.
Once, these animals were raised locally (even many New Yorkers remember the pigs of Secaucus), reducing transportation costs and allowing their manure to be spread on nearby fields. Now hog production facilities that resemble prisons more than farms are hundreds of miles from major population centers, and their manure “lagoons” pollute streams and groundwater. (In Iowa alone, hog factories and farms produce more than 50 million tons of excrement annually.)
These problems originated here, but are no longer limited to the United States. While the domestic demand for meat has leveled off, the industrial production of livestock is growing more than twice as fast as land-based methods, according to the United Nations.
Perhaps the best hope for change lies in consumers’ becoming aware of the true costs of industrial meat production. “When you look at environmental problems in the U.S.,” says Professor Eshel, “nearly all of them have their source in food production and in particular meat production. And factory farming is ‘optimal’ only as long as degrading waterways is free. If dumping this stuff becomes costly — even if it simply carries a non-zero price tag — the entire structure of food production will change dramatically.”
Animal welfare may not yet be a major concern, but as the horrors of raising meat in confinement become known, more animal lovers may start to react. And would the world not be a better place were some of the grain we use to grow meat directed instead to feed our fellow human beings?
Real prices of beef, pork and poultry have held steady, perhaps even decreased, for 40 years or more (in part because of grain subsidies), though we’re beginning to see them increase now. But many experts, including Tyler Cowen, a professor of economics at George Mason University, say they don’t believe meat prices will rise high enough to affect demand in the United States.
“I just don’t think we can count on market prices to reduce our meat consumption,” he said. “There may be a temporary spike in food prices, but it will almost certainly be reversed and then some. But if all the burden is put on eaters, that’s not a tragic state of affairs.”
If price spikes don’t change eating habits, perhaps the combination of deforestation, pollution, climate change, starvation, heart disease and animal cruelty will gradually encourage the simple daily act of eating more plants and fewer animals.
Mr. Rosegrant of the food policy research institute says he foresees “a stronger public relations campaign in the reduction of meat consumption — one like that around cigarettes — emphasizing personal health, compassion for animals, and doing good for the poor and the planet.”
It wouldn’t surprise Professor Eshel if all of this had a real impact. “The good of people’s bodies and the good of the planet are more or less perfectly aligned,” he said.
The United Nations’ Food and Agriculture Organization, in its detailed 2006 study of the impact of meat consumption on the planet, “Livestock’s Long Shadow,” made a similar point: “There are reasons for optimism that the conflicting demands for animal products and environmental services can be reconciled. Both demands are exerted by the same group of people ... the relatively affluent, middle- to high-income class, which is no longer confined to industrialized countries. ... This group of consumers is probably ready to use its growing voice to exert pressure for change and may be willing to absorb the inevitable price increases.”
In fact, Americans are already buying more environmentally friendly products, choosing more sustainably produced meat, eggs and dairy. The number of farmers’ markets has more than doubled in the last 10 years or so, and it has escaped no one’s notice that the organic food market is growing fast. These all represent products that are more expensive but of higher quality.
If those trends continue, meat may become a treat rather than a routine. It won’t be uncommon, but just as surely as the S.U.V. will yield to the hybrid, the half-pound-a-day meat era will end.
Maybe that’s not such a big deal. “Who said people had to eat meat three times a day?” asked Mr. Pollan.
chickens!
Thursday, January 24, 2008
Tuesday, January 15, 2008
profiles
little soulja girl
check it. this little girl would school us.
Saturday, January 12, 2008
Dance event...who wants to go ?
The Body Cartography Project Presents: Moving Image: Minnesota + special guest Elliott Durko Lynch
A series of dance films made across the land and cityscapes of Minnesota featuring Minneapolis performers Morgan Thorson, Karen Sherman, Kristin Van Loon, Colin Rusch, Bryce Beverlin II, Otto Ramstad and Olive Bieringa. This is the first screening of the entire series.
Sunday January 13 at 7:00 pm (6:00 doors)
$10
Friday, January 11, 2008
best new website ever
www.primitiveways.com
THIS IS SO GREAT. IT TELLS YOU HOW TO MAKE EVERYTHING. INCLUDING BOWS AND ARROWS AND A KAYAK AND A HOUSE. AHHHHHHHHHHH!
Persepolis
Sony Pictures Classics
Marjane berated by fundamentalists.
December 25, 2007
In a Flat World, a Rebel With a Cause
In this age of Pixar and “Shrek,” it is good to be reminded that animation is rooted not in any particular technique, but in the impulse to bring static images to life. And “Persepolis,” austere as it may look, is full of warmth and surprise, alive with humor and a fierce independence of spirit. Its flat, stylized depiction of the world — the streets and buildings of Tehran and Vienna in particular — turns geography into poetry.
If “Persepolis” had been a conventional memoir rather than a graphic novel, Ms. Satrapi’s account of her youth in pre- and post-revolutionary Iran would not have been quite as moving or as marvelous. Similarly, if the movie version had been conventionally cast and acted, it would inevitably have seemed less magical as well as less real.
It would also probably not have starred Chiara Mastroianni, Catherine Deneuve and Danielle Darrieux, the three formidable French actresses who give voice to young Marjane, her mother and her grandmother. Sony Pictures Classics, which is releasing “Persepolis” in the United States, could easily have dubbed it into English, a change that might have broadened the film’s appeal for a subtitle-phobic American audience. But then we would have missed the music of those incomparable movie star voices, and also a delightful parallel between cast and characters. Ms. Deneuve is Ms. Mastroianni’s mother in real life, and Ms. Darrieux played Ms. Deneuve’s mother in “The Young Girls of Rochefort” 40 years ago.
Ms. Darrieux’s Grandma is the sturdy matriarchal anchor of “Persepolis,” a source of humor, advice and moral guidance for young Marjane, and also an embodiment of the film’s no-nonsense feminism. Like her grandmother, Marjane is a natural rebel, someone who takes freedom as her birthright and dares the world to challenge her.
Needless to say, the world obliges. Marjane grows up in a family of left-wing intellectuals who suffer first under the Shah’s dictatorship and then, as the triumphant Islamic revolutionaries turn on their secular allies, under the rule of the mullahs. This political history, which includes war, torture and execution, is conveyed with impressive economy and visual wit. The beards of male religious zealots — and the chadors of their female counterparts — are like black holes in the screen, sucking away the light. (Later, during Marjane’s exile in Vienna, a straying boyfriend is transformed from an angel-headed paragon into a sniveling, buck-toothed cretin.)
Against the forces of intolerance and superstition, Marjane, following her grandmother’s example, takes an impetuous stand as a champion of enlightenment. Though she is self-confident and sometimes a little self-righteous, Ms. Satrapi doesn’t wrap herself in heroism. The political dimensions of her story are as clear and bold as her graphic style, but “Persepolis” traffics more in feelings than in slogans, and dwells most persuasively on the uncertainty and ambivalence of adolescence.
Fearing for her safety in a time of war and political repression, Marjane’s parents (her father is voiced by Simon Abkarian) send her to Austria, and the alienation she experiences there is a sad counterpart to the anxiety of Tehran. She loses herself for a while in punk rock and other alternative pleasures, but finds little to sustain her in the easy nihilism of European alternative culture. And it is in Vienna that the full pathos of her situation becomes clear, a dilemma that is hardly hers alone. Either she can be more or less free and give up her home, or she can return home at the cost of her freedom and individuality.
“Persepolis” dramatizes this dilemma without forcing it into an easy or sentimental resolution. While the character of her younger self sometimes slips into depression or dramatic behavior, Ms. Satrapi, as a writer and filmmaker, seems utterly devoid of self-pity. Grandma, whose life was long, difficult and rich, clearly had no time for such indulgences, and it is not hard to see that Marjane lived up to her example.
“Persepolis” is frequently somber, but it is also whimsical and daring, a perfect expression of the imagination’s resistance to the literal-minded and the power-mad, who insist that the world can be seen only in black and white.
“Persepolis” is rated PG-13 (Parents strongly cautioned). It has some scenes of violence and sexuality, for the most part discreetly and obliquely drawn.
PERSEPOLIS
Opens in Manhattan on Tuesday.
Written (in French, with English subtitles) and directed by Marjane Satrapi and Vincent Paronnaud, based on the graphic novels by Ms. Satrapi; animation coordinator, Christian Desmares; edited by Stéphane Roche; music by Olivier Bernet; production designer, Marisa Musy; art director, Marc Jousset; produced by Marc-Antoine Robert and Xavier Rigault; released by Sony Pictures Classics. Running time: 1 hour 35 minutes.
WITH THE VOICES OF: Chiara Mastroianni (teenage and adult Marjane), Catherine Deneuve (Tadji), Danielle Darrieux (Marjane’s grandmother), Simon Abkarian (Ebi), Gabrielle Lopes (young Marjane) and François Jerosme (Uncle Anouche).
Thursday, January 10, 2008
a great ny times article on what is necessary in the kitchen
A No-Frills Kitchen Still Cooks
THE question I’m asked more often than any other is, “What kitchen equipment should I buy?”
Like cookbooks, kitchen equipment is a talisman; people believe that buying the right kind will make them good cooks. Yet some of the best cooks I’ve known worked with a battered batterie de cuisine: dented pots and pans scarred beyond recognition, an old steak knife turned into an all-purpose tool, a pot lid held just so to strain pasta when the colander was missing, a food processor with a busted switch. They didn’t complain and they didn’t apologize; they just cooked.
But famous TV chefs use gorgeous name-brand equipment, you might say. And you’d be right. But a.) they get much of that stuff free, the manufacturers hoping that placing it in the hands of a well-known chef will make you think it’s essential; b.) they want their equipment to be pretty, so you’ll think they’re important; and c.) see above: a costly knife is not a talisman and you are not a TV chef.
Finally (and this is crucial), the best chefs may use the best-looking equipment when they are in public view, but when it is time to buy equipment for the people who actually prepare those $200 restaurant meals, they go to a restaurant supply house to shop for the everyday cookware I recommend to people all the time.
In fact, I contend that with a bit of savvy, patience and a willingness to forgo steel-handle knives, copper pots and other extravagant items, $200 can equip a basic kitchen that will be adequate for just about any task, and $300 can equip one quite well.
To prove my point I put together a list of everything needed for almost any cooking task. I bought most of the equipment at Bowery Restaurant Supply, 183 Bowery Street (Delancey Street), where the bill came to just about $200. Throw in a few items the store didn’t have and a few extras, and the total would be about $300. (New York happens to have scores of restaurant supply shops, but every metropolitan area has at least one.)
I started with an eight-inch, plastic-handle stainless alloy chef’s knife for $10. This is probably the most essential tool in the kitchen. People not only obsess about knives (and write entire articles about them), but you can easily spend over $100 on just one. Yet go into any restaurant kitchen and you will see most of the cooks using this same plastic-handle Dexter-Russell tool. (Go to the wrong store and you’ll spend $20 or even $30 on the same knife.)
Video
I found an instant-read thermometer, a necessity for beginning cooks and obsessive-compulsives, for $5. Three stainless steel bowls — not gorgeous and maybe a little thin — set me back about $5. You are reading that right. Sturdy tongs, an underappreciated tool: $3.50 (don’t buy them too long, make sure the spring is nice and tight, and don’t shop for them at a “culinary” store, where they’ll cost four times as much).
For less than $6 I picked up a sturdy sheet pan. It’s not an ideal cookie sheet but it’s useful for roasting and baking (not a bad tray, either, and one of the more common items in restaurant kitchens). A plastic cutting board was about the same price. For aesthetic purposes I’d rather have wood, but plastic can go into the dishwasher.
At $3, a paring knife was so cheap I could replace it every year or two. I splurged on a Japanese mandoline for $25. (It’s not indispensable, but since my knife skills are pathetic, I use mine whenever I want thin, even slices or a real julienne.)
You, or the college graduate you are thinking of, might own some of the things I bought: a $4 can opener; a vegetable peeler (I like the U-shaped type, which cost me $3); a colander ($7, and I probably could’ve gotten one cheaper).
You are thinking to yourself: “Humph. He’s ignoring pots and pans, the most expensive items of all.” Au contraire, my friend; I bought five, and I could live with four (though I’d rather have six): a small, medium and large cast-aluminum saucepan (total: about $30); a medium nonstick cast aluminum pan (10-inch; $13); and a large steep-sided, heavier duty steel pan (14-inch; $25). I bought a single lid ($5; I often use plates or whatever’s handy for lids because I can never find the right one anyway).
I like cast iron, and I have used it in some kitchens for nearly everything; but it can be more expensive than this quite decent cheap stuff, and it’s very heavy. What you don’t want is the awful wafer thin (and relatively more expensive) sets of stainless or aluminum ones sold in big-box stores.
Other things, like the mandoline, are almost luxury items: a skimmer (I like these for removing dumplings or gnocchi); a slotted spoon; a heat-resistant rubber spatula (which can replace the classic wooden spoon); a bread knife (good for crusty loaves and ripe tomatoes); and a big whisk (which I might use three times a year).
You should also have a food processor (you want 12-cup capacity, and Amazon.com, for example, has an adequate 14-cup Hamilton Beach for $60); a salad spinner (the one at Bowery Restaurant Supply was as big as my kitchen; you will find one for $15 somewhere); a Microplane grater (the old box graters have been largely replaced by the food processor, but you’ll need something for cheese, nutmeg and your oft-used asafetida; it’ll set you back less than $10). A coffee and spice grinder is another $10 item.
A blender is a bit more optional. An immersion one is nice, but standard ones are more useful, and you can find them for as little as $15.
And, finally, something with which to keep those knives sharp. A whetstone costs about $6, and if you use it, it will work fine; a decent steel is expensive enough that you may as well graduate to an electric sharpener. Though sharpeners take up counter space and cost at least $30, they work well.
The point is not so much that you can equip a real kitchen without much money, but that the fear of buying the wrong kind of equipment is unfounded. It needs only to be functional, not prestigious, lavish or expensive.
Keep that in mind, stay out of the fancy places and find a good restaurant supply house. If you make a mistake — something is the wrong size or of such lousy quality you can’t bear it — you can spend 20 bucks more another time. Meanwhile, you’ll be cooking.
The Inessentials
YOU can live without these 10 kitchen items:
BREAD MACHINE You can buy mediocre bread easily enough, or make the real thing without much practice.
MICROWAVE If you do a lot of reheating or fast (and damaging) defrosting, you may want one. But essential? No. And think about that counter space!
STAND MIXER Unless you’re a baking fanatic, it takes up too much room to justify it. A good whisk or a crummy handheld mixer will do fine.
BONING/FILLETING KNIVES Really? You’re a butcher now? Or a fishmonger? If so, go ahead, by all means. But I haven’t used my boning knife in years. (It’s pretty, though.)
WOK Counterproductive without a good wok station equipped with a high-B.T.U. burner. (There’s a nice setup at Bowery Restaurant Supply for $1,400 if you have the cash and the space.)
STOCKPOT The pot you use for boiling pasta will suffice, until you start making gallons of stock at a time.
PRESSURE COOKER It’s useful, but do you need one? No.
ANYTHING MADE OF COPPER More trouble than it’s worth, unless you have a pine-paneled wall you want to decorate.
RICE COOKER Yes, if you eat rice twice daily. Otherwise, no.
COUNTERTOP CONVECTION OVEN, ROTISSERIE, OR “ROASTER” Only if you’re a sucker for late-night cooking infomercials.
Wednesday, January 9, 2008
organic consumers
Tuesday, January 8, 2008
debates.
www.nytimes.com/interactive/2008/01/05/us/politics/20080105_DDEBATE_GRAPHIC.html#transcript
and look at the republican debate transcript.
Sunday, January 6, 2008
michael pollan, "in defense of food: an eaters manifesto"
Saturday, January 5, 2008
mayday vegan scone recipe
2 1/4 teaspoons baking soda
1 teaspoon baking powder
1/4 teaspoon salt
2 1/2 sticks soy margarine
1/2 cup soy milk
1 1/4 cups maple syrup
1 teaspoon vanilla
Fruit of choice:
2 sliced bananas
1 cup sliced strawberries
1 cup chopped peaches
1 cup blueberries
1 cup pecans or walnuts
(or for maple almond scones use: 1/2 teaspoon almond extract and 1 cup sliced almonds)
In mixer, combine dry ingredients.
Cut margarine into pieces and add to dry.
Mix until coarse crumbs.
Add soy milk, maple syrup, vanilla and fruit.
Mix until just barely combined.
Turn onto table, knead dough one or two times until it comes together.
Cut dough in half and flatten into 2 circles.
Cut each in 6 wedges.
Bake 325˚ (300˚ on dial) for 20 minutes or until toothpick comes out clean.
It is important not to over mix this dough as it tends to get wet. The trick is to mix as little as possible and leave the fruit pieces as whole as possible.